![]() Lumix Sync App live streaming direct to Facebook and YouTube (no Panasonic account required).Dual IS 6.5 Stop (1 Stop increase in correction).Oversampled C4K60 10bit internal recording and simultaneous output via HDMI.In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming *3. The Panasonic LUMIX GH5M2 is a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5. The LUMIX GH5M2 achieves C4K*1/4K 60p 4:2:0 10-bit unlimited *2 video recording and can simultaneously output 4K 4:2:2 10-bit over HDMI. The LUMIX GH5M2 is capable of wireless live streaming in FHD/60p via the simple-to-use LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. Further cementing its place as a versatile and ideal lens for photographers on-the-go, this 12-60mm lens sports a dust- and splash-proof construction for use in harsh environments. for robust stability to benefit handheld shooting in difficult lighting conditions. Additionally, an apt POWER Optical Image Stabilization system compensates for the effects of camera shake and is also compatible with cameras featuring Dual I.S. Covering wide-angle to telephoto perspectives, the lens' design incorporates three aspherical elements and one extra-low dispersion element to reduce spherical and chromatic aberrations throughout the zoom range for increased clarity and image sharpness. This is a Micro Four Thirds system lens that spans a versatile 24-120mm equivalent focal length range. Panasonic Lumix G Vario 12-60mm f/3.5-5.6 ASPH. You can also supply continuous power to the camera while shooting photos and video via the included USB cable. The included DMW-BLK22 battery provides approximately 410 shots per charge when using the rear monitor or electronic viewfinder, and the high-capacity battery can be quickly charged with the bundled USB 3.1 Type-C cable. ![]() The GH5 II offers unlimited video recording for less downtime when filming, and the camera ships with pre-installed V-Log L for multi-camera recording, making it is easy to match the color tone with the footage recorded by other VariCam-series cameras. Featuring a 20.3MP Live MOS Sensor with AR Coating, the camera records DCI and UHD 4K with the full sensor area and can output 10-bit 4:2:0 internally up to 60p, or 4:2:2 at 30p. Now we just have to wait for the GH6 to show up.The Panasonic Lumix GH5 M2 Mirrorless Camera with Lumix 12-60mm Lens provides a professional quality imaging for content creators who demand versatile video, live streaming capability and stills capabilities in a single compact camera. Maybe not a huge improvement over the original, but that model was already very good. It does show that the GH5 II, even with its relatively small sensor compared to a lot of competition, does a fine job in low-light conditions.įaster lenses and care with your ISO settings will matter, but the GH5 II is great. A lot of ISO 1600 clips were great and very clean. Once again, ISO 12,800 is where you might hit your limit for sure.Īfter running through the studio scene, Dom shows off a bunch of low-light footage so you can see how it works in action. ISO 3200 has some color shift and noise in the shadows and ISO 6400 is getting into questionable territory. Interestingly, Dom reports that ISO 400 and 800 are good, but not quite as good as the V-Log L equivalent settings. Moving to the Natural profile you can head to a starting value of ISO 200, which of course is incredibly clean. This is the highest you can go in log anyway. At ISO 12,800 you are getting into tougher territory as the shadows show some distracting noise and pick up a green tint. Come ISO 6400 you might start getting a bit of noticeable noise though it is still very usable. ISO 3200 is very well managed with some noise showing up in the shadows. ISO 800 is essentially the same and only at 1600 do you see a little bit of noise start to show and even that is not a big deal. Starting at ISO 400 you can see it is perfectly clean. V-Log L is the place to start and it is nice to see that it is natively available on the GH5 II instead of having to purchase an optional upgrade. The test focuses on using V-Log L and the Natural color profiles with most of it running in the studio test. If you are curious to see how the new model stacks up. How this affects low-light performance is a good question.ĭom at LensProToGo has done a nice test of the ISO and low-light capabilities of the GH5 II, even including different profiles, such as V-Log L. Among the small changes is an update to processing performance and the built-in color profiles. The just-launched GH5 II from Panasonic isn’t a groundbreaking camera – the upcoming GH6 will hopefully be that – but it is a nice update of one of the most powerful and popular mirrorless cameras designed for video.
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